Newly widowed, pregnant and alone in the Wyoming wilderness, Hannah Wentworth agrees to marry Flint Creed, a bitter man who is in desperate need of a wife, and as the danger of the wild frontier surrounds them, the greatest threat of all are the secrets between them.

"Only the boldest of women would set off for the Dakota Territory without a man by her side. But schoolteacher Jana Hartmann is determined to build a new life for herself and her frail sister, Greta. True to her courageous spirit, Jana takes the only job she can find in the town of Bismarck--modeling dresses in a shop window--which has every man staring and every woman gossiping. Adding fuel to the fire, she's agreed to help raise money in the annual kissing booth, where one handsome cowboy wants to buy every kiss for himself. Drew Malone is a lawyer, rancher, and father of two little boys. Although Jana is immediately attracted to the handsome and helpful Drew, she fights it, torn between a budding romance and her responsibility to Greta. But Drew persists and sweeps her away for a romantic Christmas at Rimfire Ranch in the Badlands, where Jana finds herself having to win over the toughest critics of all-- Drew's young sons. As Greta becomes more independent, Jana lets down her guard and opens her heart to the three Malone men. But when the boys are kidnapped on her watch, Jana blames herself and flees to the frontier. Drew must race against the clock to get back his sons . . . and to make Jana his Rimfire bride."--P. [4] of cover.

On-stage beauty. Backstage drama. As a dancer with the ultra-prestigious Manhattan Ballet Company, nineteen-year-old Hannah Ward juggles intense rehearsals, dazzling performances and complicated backstage relationships. Up until now, Hannah has happily devoted her entire life to ballet. But when she meets a handsome musician named Jacob, Hannah's universe begins to change and she must decide if she wants to compete against the other 'bunheads' in the company for a star soloist spot or strike out on her own in the real world. Does she dare give up the gilded confines of the ballet for the freedoms of everyday life?