Rang De Basanti is a film about a contemporary youth. The story tells about a group of young Indians and a British Girl. This film take a deep look into the Indian culture, traditional and its relevance in the contemporary times. As a DJ (Aamir Khan) and his friends work on Sue's (Alice) project on making documentary on the Indian Revolution, they begin to see themselves as the actual descendants of the great men who are the protogonists of Sue's movie.

The true story of the kids who created modern skateboard culture is recreated in this drama. In the early '70s, skateboards were seen as a fad of the 1960s that had all but died out, but in a rough-and-tumble Venice, CA community known as "Dogtown," that was about to change. Tony Alva (Victor Rasuk), Stacy Peralta (John Robinson), and Jay Adams (Emile Hirsch) were three guys who liked to surf the rugged beaches around Venice and hung out at the Zephyr Surf Shop, a store run by Skip Engblom (Heath Ledger) that stocked gear for adventurous surfers and skateboarders. With the advent of new urethane wheels that connected with concrete in a way old metal and rubber wheels could not, Tony, Stacy, and Jay began exploring ways to translate radical surf style to skateboarding, and the guys invented a new way to skate inside the smooth, round surfaces of empty pools, employing vertical moves and edge flips that added a new and dramatic spin to skating. It didn't take long for word to spread about the wild new style of the Z-Boys, and they quickly became local celebrities, and later nationwide skating stars, though sudden fame took its toll on these young men. The true story of Lords of Dogtown was previously the basis of the acclaimed documentary Dogtown and Z-Boys, directed by former Z-Boy Stacy Peralta, who like Tony Alva served as a consultant on this project

A semiserious, often rollicking, multigenerational insider's look at the origins of surfing, the colorful and subversive birth of surf culture, and the mythology and lure of the big wave. This passionate and fluid film is without question the first authentic history of surfing from its humble Hawaiian beginnings to the big business it became to the still-rebellious universe it inhabits today. Riding Giants is a study in individuality and freedom, the pursuit and techniques of pure kinetic pleasure, and the risk taking and attitudes that characterize its leading figures. For some viewers, this is perhaps more than they ever wanted to know. But Peralta's detailed knowledge of the surfing lifestyle, its icons and locations, its boom and exploitation by the media, and the fascination it has held for young men for more than five decades is unparalleled and fuels this expedition for the expert and initiate alike. Closely chronicling the sometimes-life-and-death drama that big-wave riding entails, Riding Giants is an often-mesmerizing visual thrill ride. But the most appealing aspect of this often revelatory documentary is the realization that the man versus nature dialectic never ends; the search for the ultimate wave and the spiritual pinnacle can only be pursued but never reached.