"This book examines seven different answers to the question, "What are we talking about when we talk about the mind?" It begins by considering the dualistic view, frequently taken for granted by students, that words like "belief," "anger," and "jealousy" refer to a realm quite distinct from the physical world, and notes the difficulties associated with this view as well as why many find it compelling. The book then describes six further major views of mind alternative to dualism that have been developed by psychologists, philosophers, and neuroscientists: Some claim that such words are just about behavior. Some claim that such words are theoretical constructs, like "quarks" in physics. Some identify the mind with the brain. Or with a kind of program in the brain, like the software in a computer. Some think there is nothing to which such words refer. Some think mental talk reflects nothing but convention"--

"Beyond Wealth by New York Times bestselling author Alexander Green is a blueprint for personal prosperity. But the rewards are more than just financial. The book reveals fail-proof, time-tested strategies to help you achieve maximum success in both your business and personal life. One of the nation's highest-rated and most-admired investment analysts, Mr. Green offers ageless wisdom and a priceless perspective that draws on today's best business minds as well as many of the world's great philosophers from Ancient times right through to the Modern Era. Beyond Wealth is both a deeply inspiring read and a concrete plan that shows you the shortest and most direct route to what the author calls "True Wealth.""--

"Debate has long been waged over the morality of capital punishment, with standard arguments in its favor, grounded in the values of retribution or deterrence, being marshalled against familiar arguments against the practice. In The Ethics of Capital Punishment, Matthew Kramer takes a fresh look at the philosophical arguments on which the system of state execution should stand or fall, and develops a novel, controversial argument in its justification. The book pursues both a project of critical debunking of the familiar rationales for capital punishment and a project of partial vindication. The critical part presents an accessible and engaging critique of major arguments that have been offered - from the deterrence of future wrongdoing to the justice of retributory killing - arguing that they all fail to justify current practices of state execution. These chapters, suitable for use in teaching courses on the death penalty, offer a valuable restatement of the current debates over the morality capital punishment. The book then presents an original justification for the death penalty, one that is free-standing rather than an aspect or offshoot of a general theory of punishment. Its purgative rationale, which has not heretofore been propounded in any contemporary philosophical and practical debates over the death penalty, derives from a philosophical reconception of the nature of evil and the nature of defilement. As the book contributes to philosophical discussions of those phenomena, it also contributes importantly to general normative ethics with sustained reflections on the differences between consequentialist approaches to punishment and deontological approaches. Above all, the volume contributes to the philosophy of criminal law with a fresh rationale for the use of the death penalty and with probing assessments of all the major theories of punishment that have been broached by jurists and philosophers for centuries. Although the book is a work of philosophy, it is readily accessible to readers who have not studied philosophy. It will stir both philosophers and anyone engaged with the death penalty to reconsider whether the institution of capital punishment can be an appropriate response to extreme evil."--Publisher's website.

"What is Film Theory? outlines the discipline's key theoretical concepts, perspectives, and traditions, and critically examines the assertions posited by exemplary film theorists and philosophers of film. A step-by-step approach to these issues guides the reader through the central topics of film theory. Beginning with a discussion of structuralism and semiotics, and moving through debates on psychoanalysis, feminism, Screen theory, and cultural studies, the authors then examine the perspectives of 'post-theory', cognitivism, and historical poetics, as well as recent developments such as audience research and the 'cinema of attractions'. Analysis of the major theories is supported with detailed and wide-ranging case studies of particular films, including Singin' in the Rain, The Searchers, Tout va bien, Jaws, Do the Right Thing, Brokeback Mountain, and Sweeney Todd: The Demon Barber of Fleet Street. These case studies are accompanied by a series of illustrative film and production stills."--Back cover.